You know what, I'm going to do the whole describe-my-whole-day thing, because a) I want to and b) it started off a bit shit and then got 100% better so you kinda need to read the whole thing.
First thing that went wrong - a minute away from the station, Mum goes "Did you remember your railcard?". SHIT. NO. Buggering wank! That was about my reaction. Then I remember (or at least
think I remember) that I bought an adult instead so calmed down. Printed off ticket and what does it have on it? Y-P, in big black letters. Yep. No railcard with me and not enough time to get it to the station, so I had to suck it up and buy a whole new ticket. £171 down the drain, just like that.
Second thing that went wrong? My train got cancelled. Someone got hit by/threw themselves in front of the train near Southampton and it didn't have time to get back to Bmth, get cleaned and leave again so it went from Southampton instead. YAY. So had to get the next train which set me back an hour so I was panicking my arse off. And what else did that mean? Say it with me children - BUYING A WHOLE NEW TICKET WAS A TOTAL AND UTTER WASTE OF TIME.
Last thing that went wrong - Google Maps can go suck a dick. Directions from station to hotel said 4 minute walk MAXIMUM. I was walking for about 20 minutes before I had to give up and ring the hotel so I could get directions. All in all, took me about half an hour to get there.
Now that's the moaning over with - here comes the good bit :D
The arena was a 10 minute walk, if that, from the hotel. Got there at about 2:45 and just sat there reading Catching Fire while I waited for the box office to open. Then all of a sudden, there was a massive surge towards the door. Were they letting us in now? An hour and a half early? No. They turned the lights on. Then I noticed that people were coming from the box office, envelopes in grubby hands, so got the lovely people behind me to save my place and ran over to get mine.
They actually let us in at about 5 and all of us that had been near the front of the queue got shepherded in to the corridor leading to the arena. Again, sat there, reading Catching Fire and eating chips. Then, at about 5:55 everyone got up and squeezed forward. Then they let us in. As I've said before, the walk from the entrance to the arena to the barrier is the longest walk ever. I power-walked my ass over there and got to the barrier, to the right of the stage, in front of a platform on which both Matt and Chris would later perform.
Got chatting to the people next to me - a father & daughter from Milton Keynes who were lovely and as enthusiastic and mental about Muse as me.
We were there waiting for about an hour & a half, and then the amazing The Joy Formidable came on. Not a band I've seen before but my GOD, they were awesome. I've now got a massive girl crush on Ritzy Bryan and basically love their drummer & bassist. After I've finished writing this and listening to the Muse set-list constantly, I will find everything they've ever performed and listen to it over and over again.
So. They went off at about 8:20 and everything started to come together for Muse. You could see the photographers gathering to the side, ready to get the million-pound shot. The lighting blokes got winched up onto the lighting rig. Dom's drumkit got unveiled (it was awesome, btw). SHIT WAS ABOUT TO GO DOWN.
And go down it did. I didn't notice the time - think it may have been around 9pm - and the lights went down and immediately a scream went up from the crowd.
Morgan Nicholls, Muse's "extra" member (I say that because he's only on tours/live shows) came on and The 2nd Law: Unsustainable started. What a way to start the show.
The boys then came on & another scream went up from the crowd. If you haven't heard Unsustainable (which you need to NOW btw), it's basically dubstep with instruments. Everyone went a little bit mental, as did Matt, throwing his guitar around the stage, while Chris, ever the strong silent
sane type, stayed by Dom and hand-banged along in his adorable way.
Next up was Supremacy which was just...amazing. Matt's voice record-perfect, as always - how he manages to hit those high notes so perfectly, I will never understand. Like, EVER. Just...every single time. Even though it's still a relatively new song, the whole crowd sung every. single. word back at them (something I will always mention, in every single blog/gig review I write, because that sound, to me, is the best sound in the world). Matt milked the adoration, standing smack bang in the middle of the stage during the guitar solo in the middle of the song, making his guitar just
sing.
Next up - Hysteria. I don't think anyone was expecting this - anyone who'd dug out the playlist from the first show expected it to be Maps of the Problematique. Not that anyone complained - in fact, as soon as that mental bass rift started, everyone just went...insane.
This was then followed by Resistance - one of my favourite songs to see performed live. I love the drums, I love the bass, I love everything about it. This was closely followed by Supermassive Black Hole - another one of my favourites (well, anything where Chris sings live is a bonus really). Again, the crowd just erupted. And why wouldn't they? The song's bloody immense! When the Wolstenbeast chanted "Glaciers melting in the dead of night and the superstars sucked into the super-massive", there was hardly anyone (around me anyway!) who didn't sing it along with him.
After this, they then went on to perform three tracks from the new album - Panic Station, a funky, jazzy, behemoth of a song, Animals - a song about corporate greed, backed by beautiful guitars, coupled with a video on the giant pyramid above of a power-hungry businessman, with some vicious lyrics (
Kill yourself/come on, and do us all a favour) and Explorers - a song no doubt inspired by the lullabies Matt is now singing to his little one, but with lyrics that scream Muse (
Hear the engines roar/And save our crops from drought/But when the black gold's in doubt/There's none left for you or for me).
Next up, Matt teases "We're going to play an old bastard now, from our first album"
And launches into the piano intro for Sunburn.
Proceed everyone screaming (yes, literally screaming - my ears are still ringing) along every word. This was followed by another tried and tested crowd pleaser - Time Is Running Out.
Next up, Liquid State - yet another from the new album, but written and performed by Chris. And it's fantastic. He's got a gorgeous voice - much softer than Matt's, with far less range but stunning all the same.
(look at him go! What a wee cutie <3)
Matt, leaving the stage to Chris, went & played alongside Dom, then proceeded to walk around the walkway (yes, there was a walkway around the back of the stage), towards the left and then towards the right - towards me. I managed to get a couple of pictures, but they're both of his arse (not my fault! He turned at the wrong moment).
Next was Madness - the first single released from The 2nd Law. Matt donned, what I have named, his Lady GaGa sunglasses - ones that have the words coming up on them? Yeah, those. Proceeded to sing into the camera for the majority of the song.
This song is just...fantastic live. Hearing him sing "
I NEED YOUR LOOOOOOOOOOOOVE" at the end damn near broke my heart. I have never heard a more emotive singer.
Next up was yet another song from the new album - Follow Me. A song that I immediately fell in love with on first listen because it uses the sounds of Matt's son's heartbeat from an ultrasound on the beginning, which I love. It's a song obviously written for Bing - he can't deny it. Just incredible.
Then, the moment that spawned the blog post from earlier - Undisclosed Desires.
Matt had left the important job of, y'know,
playing the instruments up to Morgan, Chris and Dom while he ran around the stage - singing right in Dom's face to coming up behind Chris (who, by this point, was back on the platform in front of me), then bouncing down to...oh my god, where's he going? OMFG, HE'S GETTING OFF THE STAGE AND IS STANDING RIGHT IN FRONT OF THE CROWD. Oh Jesus, he's right in front of me. He's gone. Now he's back. OHMIGOD, HE JUST GRABBED MY HAND. MATT FUCKING BELLAMY GRABBED MY HAND. I'M NEVER WASHING AGAIN.
Was my reaction.
After that (by which point I was basically a gibbering mess and, without realising it, not using my left hand properly), was Plug In Baby - the crowd went insane for this one. Bouncing everywhere and not letting Matt singing the chorus, just belting it out as loud as we could. Then it was Stockholm Syndrome, which Matt performed on the platform in front of us - just when I thought I wasn't going to get any good pictures of that man, he goes and does that.

At the end of this song, the band converged around Dom and the inverted pyramid seemed to come down and "eat" them, signalling the end of the main show. Chants of "We want more!" rang out around the arena. And more there was. Matt & Chris came back on and started playing Uprising, with the pyramid still surrounding Dom. And then a projection started - one of Dom fending of men in suits, like a ninja, in a red jumpsuit. Then the pyramid went up and there he was - wearing the red jumpsuit. Following this, Knights of Cydonia, which was just absolutely incredible, as always.
Then they went off AGAIN. And once more, chants of "We want more!" echoed around me. So, back on they came and launched themselves, heart & soul, into Starlight. Just another one of my favourite songs to see performed live, because it is a song that will never fail to lift your spirits - ever.
They then finished off on Survival, the song that was written for the Olympics, but has almost frightening undertones (
You were warned and didn't listen and
So I told you). And what a perfect song this was to finish up on. Yet another behemoth of a song, you can't help but sing along. Chris then stood on the stage in front of us, puffs of smoke enveloping him. Then it came for
that moment - the moment when Matt has to hit the highest note a man has ever had to try and hit in the history of the world ever (slight exaggeration...) - and he did. Perfectly.
And then it was the end. We filed out of the arena, dazed, confused and elated. I staggered out of the arena, phoning my dad (my first words were a husky "I touched Matt Bellamy") and back to the hotel. I went to sleep reasonably quickly - my feet still hurting and my ear still ringing. But ecstatic.
That's the feeling you get when you see Muse - a feeling of absolute euphoria, coupled with an unexpected grief afterwards. They've done it again though - put on another absolutely EPIC show and blown me away.
Matthew Bellamy, Christopher Wolstenholme & Dominic Howard - I salute you.